Our latest feature are MultiRender Markers to batch export in Premiere Pro and displaying a progressbar in your taskbar icon in After Effects when rendering ! AfterCodecs is regularly updated with new codecs, features or speed improvements, see our Changelog. Advanced features : FileSize targetting, 10 bpc, Full Range, YUV 4:2:2 / 4:4:4, Tuning profiles etc. Save time directly in After Effects render queue without having to use the command line and without using Adobe Media Encoder A fast, easy-to-use (one param to select), YouTube Upload profile that respects YouTube upload recommendation Low bitrates videos are of better quality than before and you can render in 8K!
Choose the efficiency you need: fast encoding for your previews or low filesize for final delivery. H264 / H265 : the best and fastest compression Special Premiere Pro & Media Encoder features : MultiRenders Markers, Export all Audio tracks separately, Quick sub resolutions buttons, Custom Framerate etc. All 4 HAP codecs from Vidvox but with faster algorithms and without resolution restrictions Included a new ProRes 4444 Light unofficial profile to get both Alpha channel and lower filesize ProRes 422 / 4444 / XQ : yes even on Windows and older versions of Adobe.
AfterCodecs brings you with consistency all the codecs & features you need, without Quicktime and in. We have developed a HAPQ encoder capable of correctly transcribing small gradients, while respecting the original colors.After Effects, Premiere Pro and Adobe Media Encoder native exporters bringing you ProRes / H264 / H265 / HAP codecs for excellent quality and lightweight videos, on Windows and OSX, no Quicktime needed anymore! To overcome the shortcomings of existing HAPQ encoding solutions (which hitherto prevented its systematic use on all types of content, especially those in motion design). Significant development in the optimization of existing encoding solutions has allowed us to go back to reasonable rendering times even in high resolution, without sacrificing the quality of the image (whilst offering more quality /speed ratios depending on the available render time). The long rendering time to obtain a satisfactory quality and the lack of high quality encoding options.ĭespite the use of numerous network rendering computers, the rapid increase of resolutions of LED screens forced us to review the encoding approach of HAP. It provided a real solution for playing multi-layer videos in very high resolution. When the HAP codec appeared for the first time several years ago, we quickly began using it at numerous events
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